Posts Tagged ‘art studio’

Feb 13th, 2017

Embrace the Strange.

My wife gave a TedX talk on finding the extraordinary in the ordinary moments. Those times when you think, “Never in a Million Years”.   On the same night, my friend Kevin gave a TedX talk on finding comfort in the uncomfortable. Both talks were profound, touching, and comical. I walked away reminded to observe.   It was also a point of reflection on my own process from the first marks of a pen in the studio to the artist’s reception.

In the beginning of the movie “Pollock” starring Ed Harris, Jackson Pollock is standing at an opening of his work, several people approach him for autographs, he politely signs, but as he does he also looks around. His eyes move across the room, observing, looking for something, he is searching for or observing the order in the chaos. He is a stranger in a room full of friends, family, collectors, and art lovers.   It is a moment that I feel most artists have had as they put their work on display for friends, family, and strangers alike.

Why do we do this? It’s a question that is asked not just by the audience, but also by the artists themselves. I ask myself in those moments, why? Then I try to embrace those who have come to share in my work. The work is done most often in isolation, but the presentation of the product “the art”, is shown for public consumption. It is a juxtaposition built into the creative process. I have openings to share the art, to see response, to share in a moment. It is amazing that people will give of their time to share with me. It’s humbling when you put your work out there for everyone to see and people show up to see it. Its that moment that is so perfectly portrayed in the “Pollock” film. As the artists  you are standing alone in a room and you cast your eyes to see all those who have come to share. Its intense, its inevitable, its humbling, and you and your art are vulnerable.

It sounds pretentious,but I have handlers at my shows.  Their job is to move me around the room.  If left to my own devices in this moment, I know I will retreat to a friend and stand in the corner and talk in isolation. Someone once said, she feels like she’s in charge of a dog at a dog show, as she pushes and pulls me around the gallery. The reality is, I love people, I love socializing, and I live off the energy of motivation and conversation. I’m not saying I’m good at it, in-fact I often have to apologize for what I’ve  said, but the truth is it balances the isolation in which the art is made.

At the end of the day, it is part of my job, it is what I do, it is who I am, it is normal, it is strange, it is part of the process. Some moments are stranger than others, but I find comfort when I remember to embrace the strange.

Cory

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January 5, 2016

How many First times do we get in a lifetime?

  • The first time I have had a studio that is not part of or just beside the house. I have a commute to work, It is a ten minute walk, a three minute scooter ride, and a full day of work away from home. It is strange and freeing to be disconnected.
  • The first painting is finished. It is titled “Guanxi”     – Guanxi – noun 1. a Chinese social concept based on the exchange of favours, in which personal relationships are considered more important than laws and written agreements.   I like the process of getting to know people. I like talking to and learning about culture. It can test your patience when you really need something to move forward, but the exchange seems worthwhile is you allow it to take its natural cultural course. (pics enclosed)
  • The first time I have taken a 15 hour flight. Turns out, I like it better than a seven or nine hour flight. You can fall asleep (via PM meds) and wake up with only a few hours left of the flight in time for breakfast, a few movies and then you are back in time….
  • The first time I have hidden in the back of my studio with friends because a large group of police were walking down the street and I felt like I might not want to answer any questions on this particular day. Turns out there is nothing to worry about, they were simply making sure that the sidewalks and store fronts are clean and clear and up to ordinances.   I left my own cultural misunderstandings get the best of me.
  • The first wax is completed for the first bronze.
  • The first time I have to consider who my bronzes are foundered by because copying is an issue. Everyone I have met so far seems trustworthy and friendly. I look forward to the adventure.
  • The first time I have felt a large disconnect between myself and the school and the community. It seems magnified here because there is not a place where everyone gathers for coffee in the morning. This is the first time I have returned from a holiday break and not had a gathering place where I could commune and talk about the holiday journeys, airport mishaps, Christmas cookie over load, and share in the beautiful misery that is jetlag….
  • The first time I have a studio with a place for sculpture, with a place for painting, a place to show work, and with its own bathroom… I am blessed.
  • The first time I had to light fireworks and fire crackers to ward off evil spirits before starting work in a studio. AWESOME new tradition that I will carry with me on this journey.
  • The first time a new friend has given me a Nespresso machine for my studio, just cause he likes coffee as much as I do!!!!!!!!
  • The first time Christy and I have sat in a studio in China and worked on our own projects together. Sharing the creative space is always better then the isolation often felt in the studio. I am lucky that it is with my partner in crime and life.
  • Looking forward to some firsts still  to come in the studio,
  • First studio night where people gather to just hang and art and stuff
  • First toasting of a finished piece with friends. Airy Hill tradition demands that every time a piece is signed, some friends gather with a drink and toast the good fortune of completing a piece.
  • Who’s ready to raise the first glass to Quanxi….?

Cheers,  Cory 

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November 14th, 2015

The Before, the After, and the Toast…..

Last night we toasted the hard work, and especially the workers who helped to create  Airy Hill Studio Shanghai as a space to make art and for the community to  talk, have coffee, play guitar, and commune. Its simply a work shop in the broadest term. It has been a long journey from Penry, to Otley, to Rublevskoe, to Horomerice, to Huacao Town. After a lot of work, It is far from complete, but it is completed enough to raise a Toast and to Begin the process.

Enjoy

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Oct. 22nd.

Going Backwards to move Forwards.

Since moving to Shanghai, I have found that on the other side of the world you have to work from back to front. Usually you start by finding a studio and then begin finding all the items and materials you need to make art, however, this has not been the case here.

I have found all the things that I need to make art. I have found an art store, a person to custom make large stretchers and canvases, all the paint I could want. The needle in the haystack, so to speak is finding a  foundry for bronze casting that is willing to work with you.  I have not only found a bronze foundry, I have found a foundry where their representative speaks english and their work is good.

What is usually the starting point has become the ending/beginning.  Today I signed the lease agreement for the Airy Hill Studio Shanghai Branch. This process has been an exciting and challenging study in patience, understanding, learning, and humor. The details are sketchy, but I am pretty sure I just signed a studio lease for a year so I have a place to make art. There will be a lot of work to get the space ready, and I can begin the cleaning and building process on Monday. I will go into depth in the next post and will include pictures of the process. The reality is, I am tired, and have spent a lot of time and energy today, and just finished celebrating with friends and family so will have to leave you with this bit of food for thought.

Paul Herr once told me in his Paul Herr raspy, good hearted yet Clint Eastwood voice. He said. “Hey Cory, you have to take diversions from your normal path. If you don’t, your normal path will stop moving forward and your art will die.”   I miss Paul, but as I signed a lease today with a pen and a thumbprint, I think I have taken my fare share of diversions over the past few years.

The art process is very much alive, my spirits are high, my motivation is high, and I am ready to continue to trust the process no matter how backwards forwards may feel.  Signing Shanghai Contract. copy